American Idol
Denver School of the Arts Garners National Attention for Its Innovative Design
By Mark J. Shaw
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Photo
by Joel Eden Photography
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The first few months of classes at the Denver School of the
Arts were complete in December, and the reviews for the new
school have been good.
"This is the showcase of the current DPS bond cycle.
It's so successful that it's being referred to as a 'national
school for the arts,'" said DRG Construction Vice President
Diedra Garcia. Her firm, in a joint venture with Taylor Kohrs,
served as construction manager/general contractor on the project,
which was designed by Denver's Klipp, working with Semple
Brown Design.
"This would be the jewel of almost any school district,
and it's one of only five schools of its kind in the country,"
said Scott Kohrs, president of Taylor Kohrs.
The DSA is a combined middle/high school located on a 7.3-acre
site in Denver's Park Hill neighborhood. It opened for classes
in fall 2003, accommodating 900 sixth through 12th-grade students,
who had been housed temporarily in other area schools.
The school curriculum focuses heavily on the arts, which made
both design and construction of the renovated facility grow
out of a determined team effort to create something special.
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Arts Showcase
The design combined a complete renovation of the 84,332-sq-ft
existing Houston Fine Arts Center with a new 112,516-sq-ft
addition that wraps around the existing building.
The renovated building contains a concert hall, theater, black
box acting studio, scene shop, design studio, costume shop,
aerobics/weight room, and jazz, piano and choral studios.
The addition includes seven classroom clusters, two dance
studios, two music rehearsal rooms, a library, practical and
fine arts spaces, administrative offices and a commons area.
The African dance studio has seating for 170 people as well.
Design priorities included daylight in all classrooms, creating
a strong entry from the intersection of Montview and Quebec
streets and reducing the mass of the building.
The architects also had to be certain it appropriately symbolized
the arts by employing a creative use of materials and curved
forms that let people know it's an arts school, not just another
public school. It was built using three colors of brick, dramatic
metal panels and lots of glass.
Chris Wineman, a principal with Semple Brown - which programmed
and designed the arts venues in the school - said that the
main intent was to keep the arts and academics integrated.
"We wanted this to be a 'whole' school, despite its arts
emphasis, so the space was designed to encourage interaction,
not only of the different arts disciplines, but also with
the academic subjects."
That integration is partly achieved through the construction
of a 500-ft-long galleria, a large two-story circulation space
that allows natural light into the interior depths of the
building and serves as a performance and art display venue.
The galleria also enables visitors to see inside the studios
and classrooms to visualize learning and the creative process
at work.
"All of us on the design team were determined that this
building was not about making an architectural statement,"
Wineman said. "It was about an opportunity for kids to
take the building over and make it their own creative space."
To that end, the team left the walls unpainted above the picture
rails in "neutral, restrained colors" to allow for
the display and creation of art on them.
The school also has state-of-the-art acoustics systems designed
by Denver's D.L. Adams Associates, who worked closely with
the architects to create sound isolation, all interior acoustics
and the complex mechanical and audio-visual systems for the
theater, including all of the rigging for the stage.
Ed Logsdon, vice president at D.L. Adams Associates, said
that the acoustics work at DSA is the largest school contract
his firm has done. "We helped give these students acoustics
in their performing arts spaces that are on par with those
in university theater programs. In fact, they are DCPA [Denver
Center for the Performing Arts] quality in some cases."
The acoustics team also added a digital recording facility
in the theater so students can record their performances for
review and use in portfolios.
Making It Fit
The school, however, was not an easy one to build. Construction
started in April 2001 and was completed in July 2003 - a 15-month
construction schedule - except for the main theater, which
finished in September.
"It was actually a tremendous challenge," Garcia
said. "That's partly because the project got started
six weeks late and the scope increased along the way. It started
out at $15.5 million and ended up at around $18.5 million.
It was a huge undertaking to get it open in time for last
fall's classes."
Construction issues included bringing the existing Houston
Arts Center up to code, adjusting for the differences in elevations
between floors in the new building and the old one and making
room for everything that had to go into a new school of this
complexity.
Nick Dire, project manager for Taylor Kohrs/DRG, said: "The
existing facility had very tight elevations between floors,
so we had a tough time getting everything to fit. We had to
change the ceiling heights and make lighting adjustments to
upgrade the systems and meet code."
The 14-ft ceilings in the new addition had to be matched with
the 12-ft ceilings in the existing building. A single bridge
built on the second level ties the buildings together, but,
"you can still the see the old building along the galleria.
We didn't connect them everywhere," Dire said.
Code compliance issues included installation of new life safety
systems and ADA adjustments.
"We even put a wheelchair lift from the second floor
into the theater control room because we realized that this
place isn't just about doing the performances but teaching
students how to run them," said Mike Evango, operations
manager for Taylor Kohrs/DRG.
"Once the school opened and the students arrived, we
realized what a great job we'd all done," Dire said.
"They finally have a place that's all theirs, and the
best evidence of how comfortable they feel there is that they
don't want to go home at night."
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